more sophisticated disco influenced gems from this great fledgling label... the elevator people are back, introducing ep 003 by giulio dj! giulio dj, also called julian horn by his mum, started his tuneful career djing in vienna about 8 years ago, bringing his love for authentic disco, balearic beats and cosmic leftfield sounds to local music circles. julians productions reflect the warmth of 70s n 80s disco with a wide range of influences from chicago to contemporary house music. his first release on elevator people is a dirty mid-tempo floor filler called cocos nuts that will work well on the more sophisticated dance floors and will go just as well with your hamburgers during those summer bbqs portuguese don >social disco club< takes it up a notch and delivers a sweet house remix with a little acid on the side

we at m=minimal are proud to have >conrad schnitzlers – zug< as first release. schnitzlers zug is one of the most important and first electronic minimalist works that were published in the 70s. almost simultaneously with the kraftwerks groundbreaking >autobahn< zug appeared on the legendary >the red cassette<. the wire magazine wrote about zug: kraftwerk might have used similar methods to create rhythm<!

from the mid-70s to the early 80s, hall & oates ruled the pop charts. with six number one singles and six platinum albums, they brought their own brand of philly soul to every city in america. their first hits came in the mid-70s with sara smile and rich girl and they were still touring and recording heavily when this album was recorded live in denver in 1979. this lp features many of their biggest hits and several songs from their >along the red ledge< and >x static< albums.
comes on 180gr virgin vinyl.

2 tracks from the 70s by american soul band tavares.

finally available! ibiza 2010 hit, loved by reboot, luciano, karotte, sis, butch, dj madskillz, anthony collins, laurent garnier, brothers vibe, danny fiddo, mendo, affkt, ilario alicante, andre galluzzi, dj chus, los updates, samuel l session, arado, jacuzzi boys, alejandro vivanco, felipe valenzuela & many more. white label, limited press - as always! pup loves 70s!

matt moroder - one half of the team that brought you the short-lived but no less notorious glossy series - unearthes his new ambitious -little leaf- project compiling other producers and his own reworks of songs that are not your usual disco/ boogie fare but demand a true diggers and imaginative djs mind to spot their dancefloor potential. matt moroder proves this ability right away with the blinding, hypnotizing >secret secret< - an interpretation of a cut by one the biggest, most avantgardistic 70s rock/ pop icons. he extends a short portion of the originals beat, loops the jagged guitar riff and throws in more layers of congas, shaker, handclaps etc before revealing the tracks secret by throwing in parts of the chorus sung by this totally distinctive, instantly recognizable voice. flip over for spanish producer nelues take on >porque te vas< - a one hit wonder song that had worldwide success after being the main theme in carlos saura cannes-winning movie >cria cuervos<. already an unusual mixture in its original form - breathy lolitaesque vocals gel ingeniously with a more 60s bubblegum orchestration of horns, big beats and folky guitar - nelue does a great job with sublte loops and additional bubbly synth overdubs while keeping the sing-a-long charm intact. both tracks already recieve well-desereved support from mark-e, gilb-r ( chateau flight ), beppe loda, tim sweeney and more main players. these two big cuts shouldnt need extra arguments, but since mr moroder is a generous guy he also throws in some extra special, lush artwork for this vinyl only release

here a private pressing of 200 copies with some exciting works of mr bottin who is for sure one of the most active producers in the new disco umwelt this year! one super sweet and sexy track called sage oil. disco just dont get much hotter then this. flip side had a track called hot lizard which is a rawer and more masculine piece as many of us might know from the typical italian police series and horror movie scores from the late 70s and early 80s. recommended!

a collection of rare and very sought-after underground british disco, funk and soul tracks avoiding the obvious hits that have been on a million cdÆs already. many of these tracks never went beyond a very small local release but have since become very collectable - buying this lot would set you back somewhere in the four figures.
back street brit funk is the latest compilation from dave lee aka joey negro released on the z records label. the double disc album features highly collectable tracks from the late 70s through to the mid-80s with sleeve notes from soul weekender veteran mark webster.

2 rnb/soul classics straight from the 70s.

yosa ist ein nachwuchtalent aus tokio. seine >rough & tough ep< auf dem züricher label drumpoet community ist indes eine deutliche weiterentwicklung gegenüber seinen releases auf resopal oder dirt crew. so viel soul und funk hatte die musik von yosa noch nie. ein unüberhörbarer einfluss sind neben jazz- und funk-platten aus den 70s die frühen produktionen des chicago-house-pioniers lil louis.

portugal based talented deep house producer johnwaynes. they have released at compost black and mule musiq. thats why deep house producer johnwayness new single is coming out on endless flight, because of their new moniker just john.
johnwaynes determined to release an alternative stuff or music which they dont play the instruments by themself by this moniker. the sound is similar with the revenge or motor city drum ensemble. both tracks are beatdown housetrack with the vocal sampled from 70s soul. music is simple but very attractive.

>afro rock vol. 1< is one of the most important compilations of heavy original 70s afro funk and soul to be released in recent years. originally surfacing on duncan brookers indie kona label in early 2001, the album single-handedly kick-started the thirst among jazz, funk and soul fans and diggers to rediscover lost music from africa made during the 60s and 70s from a time when many countries were gaining independence and celebrating a pan-african identity within their music. the album was one of the first to reach a far different audience to the traditional ?world music? market and spawned many further projects and labels in its wake. a year later, the >nigeria 70< compilation surfaced on strut and labels like soundway and analog africa would continue to unearth amazing lost gems from the motherland.

let the springtime begin! sunshine is here! the talented cablespring has done something incredible. he took a 70s hit from the biggest spanish singer ever and made it into the dancefloor sensation of 2010. remixes come from muzikjunki, d-rashid & roberto da costa and barbosa brothers.

from the discos capablanca guys a new project! los massieras are a reality only in your 70s boogie state of mind! this re-edit project formed by two berliner djs aims to bring a fresh approach to the art of bastardization. boogity boogity boogity is their first ep, which also launches the new (velvet) underground label bananamania. each track is quite different, from the floor-oriented boogie title track, to the mutant disco of >bananamania<, to the psychedelic delirium that is >shroom heaven<, which has already gained instant fans such as lovefingers.

played by luciano, tiefschwarz, brothers vibe, anthony collins, livio & roby, giusseppe cennamo and more...!! pachamama in english is the andean peoples word for mother nature. so its no wonder that the chilean native multi talented musician, alejandro vivanco, remixed a track by the same name as it carries with it the message of our earths mother through its energy, positivity and promises of eternal sunshine. both the original and the 2 vivanco mixes are topped off with a funky easy riding 70s horn section and the dub mix is an altogether more housey fuelled track with more hi hats to make you shake off the winter blues. one by one the musical portrait of pachamama unfolds itself in a dreamy soundscape of warm summery beats that coax you to the poolside and dance with you from sunrise to sunset!

exciting synth disco by roland sebastian faber. mr faber deivers some high quality timeless synth compositions as we heard from him before on this lovely cult label aube records! mr faber produced music for many wellknown pop arists and this is his personal fetish project that gives him the space to go crazy on his analogue synth collection and high end studio gear. comes with beautiful artwork of emi schultz (kraftwerk designer)... this is one of those releases that will not create a big stir among hype press and blogs... but most definitely it will make many people very happy! a great piece of electronic disco, 70s french synth pop. great artwork, limited edition of 300, high quality 180 grams vinyl! future collectors item!

70s classics by californian vocal group!!

the first ever album retrospective of one of new yorks most revered of all producers, bob blank, this album traces the history of his independent studio, blank tapes, one of the citys most important creative dens during the vibrant arts scene of the mid 70s to mid 80s.

although they formed in oakland, ca, in 2002, the saviours are a deliberate throwback to an earlier time and place, specifically great britain in the late 70s and early 80s. deeply inspired by the new wave of british heavy metal as well as first generation thrashers like slayer and early metallica, the saviours formed out of the ashes of a minor east bay thrash and screamo band named after the excellently monikered actor yaphet kotto...

a tribute to sun ra & >latino in cairo<. this record represents the cairo jazz band responding to the american jazz scene of the 60s & 70s with influences from mongo santamaria to randy weston and sun ra. these tracks were first presented by the ministry of culture in cairo as a prism music production and released with an additional disk by the composer soliman gamil musical images. this release marks the first time salah ragab and the cairo jazz bands definitive works are presented to the west. salah rageb r.i.p
now available on limited edition with 180grams vinyl and a heavy cardboard sleeve!

like roy ayers about 25 years before them those two ny house cuts are paying tribute to their hometurf - the title isnt the only similarity also e mans voice - which already helped its yours to become this years house smash - bares a strong resemblance to the 70s jazz funk master. kerri chandler again proves his unchallenged production mastery with a bottom-heavy, deep house groove - big

multi instrumentalist and singer maryja symone johnson and percussionist eric thomas joined together at the rhythm sticks festival in london in july 2004 to create new sounds that have been influenced by afro-caribbean origins. they have successfully performed at different concerts and festivals throughout europe. their first single >je suis music< edited by thiaba records is an adaptation of the original disco hit written in 1978 by international artist cerrone. afro-urban concept completely transformed this song by playing soca grooves with new melodies but the dance floor flavor stays alive. on side 1 is the vocal version with some extended piano, drums and percussions improvisations at the end. on side 2 the first track is an instrumental version recorded with the typical 70s sound where the drums and percussion are in evidence. the second track is more an hypnotic london drum n bass version.

the count & sinden release two more devastating club tracks in the form of strange things / elephant 1234. the release features two vastly different tracks showcasing the count & sindens eclectic taste and endless talents. with an infectious chorus sampling john holts early 70s lost reggae classic of the same name, the maverick duos strange things is a haunting yet energised roots meets old skool jungle anthem, set to get the temperature rising. strange things is backed with elephant 1234, a tweaked 4/4 cut that takes influences from the best in todays european and us electronic music scenes with a count & sinden twist... this is where dance music is right here, right now.

volume 3 showcases more of the unique tropical music created in panama in the fertile decades of the 1960s and 70s. panama is the thin, tropical bridge that connects north and south america, and is home to three million culturally diverse people, its music is a soulful blend of latin american, caribbean, european and indigenous forms. from bilingual calypsos to guajira jazz, from tropical guarachas to cumbia tamboreras, panamanian musicians fearlessly combined and brilliantly executed styles that reflected their multicultural environment during a turbulent time in the young countrys history. this collection presents more of the golden age of panamanian music and the music of the combos nacionales on rare recordings that have never been released outside the isthmus until now.

the black label is dedicated to bring forgotten gems out of the closet as well as to rework tunes near the inner core of the producers involved in the label. theres no formula but to touch base with the music we love, be it then inspired from 60 s motown, 70s disco, 80s boogie or 90s klf.

medline aka sun son sound, next generation and avant garde composer, mc, dj and multi instrumentist present his first masterpiece mercado negro. afro latin & jazz funk ingredients cooked into a deep and soulfull recipe, this contemporary and intemporal 7inch classic is a monument dedicated to the worldwide musical black market. first stone of medlines brown music style, this meteore knock downs the conventions. released on his own label propaground. its the rebirth of the art of composition in the way of 70s masters. in other words it is already a hunted gem.

1983 classic by famous 70s / 80s musician portrait photogrpher, who createt this optic music group!!

we had some unfinished business, so after long deliberation her is the return of creme jak! jtc (aka james t cotton) opens this ep with a devastating 70s disco/funk/jak hybrid, hypnotizing crowds with a repetitive funk guitar and throwing them into a jakking frenzy with a steamrolling basskick counterpoint. simply jak-tastic! followed by a silky chicago dub jakker for the comedown and were ready for 2am/fm. or are we? these two cats rave up the place with some of their patented deep rolling chicago-house influenced trax, but spice it up with a thick-slick muddy bassline before erupting like old yeller. top

2 70s disco-classics by peter brown on this 45.

soundway records presents panama! 2, latin sounds, cumbia tropical & calypso funk on the isthmus, 1967-77 - showcasing the unique tropical music created in panama during the fertile decades of the 1960s and 70s, whilst producing one of the surefire summer soundtracks of the year!

moxie say: we got hipped to the life of a party last year during a breaking contest in nyc, one of those old school ones in the bronx. it was pure ecstasy! so we extended the good part, so the trip would last longer. the idea was to combine party life with two other breakers tracks to form a steppers package and then mj died... browsing back through his catalogue we were reminded of two other sweet 70s tracks: the funky hum along and dance and the smoother, but dangerously infective let me show you (the way to go). the result is moxies tribute to mj. may he be with us forever. thank you for the inspiration and joy you gave us.

strut present the story of one of the most influential and revered labels emerging from new york in the late >70s and 80s<, ze records. after the late 70s punk and new wave explosion in new york, ze became a by-word for the anything-goes culture clashes that typified the big apple during the early 80s. formed by french art student michel esteban and british journalist michael zilkha, ze quickly created its own unique independent universe, signing artists as varied as alan vegas electronic postpunk pioneers suicide, trash disco queen cristina and maverick producer august darnell a.k.a. kid creole. with estebans sharp graphic eye leading the labels visual identity, ze hit the new york zeitgeist head on and became supremely hip û in 1982, the face magazine nominated it ôthe most fashionable label in the world.the labels early success led to a deal with chris blackwells island records, which gave zes releases worldwide exposure and brought worldwide fame to kid creole, was (not was) and more. over thirty years on and ze remains one of the great cult labels of its time. with this new compilation, strut takes a snapshot of the many weird and wonderful fusions that surfaced on its famous nyc cab-influenced yellow and black label. highlights include one of the earliest outings by was (not was), tell me that im dreaming, a disbelieving commentary on reagan-omics, bob blankÆs short-lived disco supergroup aural exciters and a larry levan mix of kid creoles biting parable about corruption in the caribbean, theres something wrong in paradise. other featured artists include ze label regulars cristina, bill laswells material, kookie french experimentalist lizzy mercier descloux, and camp disco-electro icons, les garcons.

after releasing numerous classics such as novamens >lies< (with mr.pauli), the hasbeens >make the world go away< (with alden tyrell) and dreamdiscos >take me home<, the >dose< is back with another haunting solo lp on strangelife records. and this might very well be overdoses magnus opus so far. beautifull filmic melodies and tr808 beats tell us stories where charles bronson and john carpenter deal with sopranos mobstyle adventures somewhere in a cold war 70s timeframe. tragic, defeatistic drama only overdose can deliver!

san franciscos loose shus is the sound of today. with pulsing synths, funky riffs and sharp beats, loose shus has helped define a new generation of disco pioneers. his live shows incorporate amazing video projections sampling 70s and 80s television clips running in sync to his music. he is part of urb magazines next 100 for 2009. loose shus will also be appearing on the >valerie and friends< compilation due out may 27th, compiled by the coveted french collective valerie. mixed by mark pistel, member of hercules and love affair, and meat beat manifesto, this ep pops with clarity and punch to get the dancefloor moving. plant music are also proud to have lisbons xinobi on remix duties for <threesome< and los angeles keenhouse on remix duties for >taurus<. xinobi has been quite the hyped producer this past year including working with moulinex and a series of high profile remixes.
>itÆs rocket ships meets neon hotpants, meets teased hair, meets lazer beams, meets the zodiac, meets a 1970s hotel lobby and throw in a light pink pearlescent vibrator.< -- freedanger.com
>tracks that work perfectly on nowadays parties< -- discodust

the chile house connection continues to sling the dopest stuff to our floors, barely satisfying the constant craving of dancers and punters worldwide for the highly addictive mixture of salacious latin polyrhythmics and organic afro inspired drum sounds with universal electronic 4/4 beats. cut and wraped up neatly by chile born and fastly rising don felipe valenzuela and swiss expat dani casarano, this duo continues with this heated 3 tracker to further cement their reputation from earlier releases on fumalab as a highly combustible combination: elastic compulsively grooving house beats are intervowen with latin-american call and response vocals in >otra vida<, the fittingly titled >push< constantly builds up the pressure even in the breakdowns with frantic, flamenco style hand clapping and >the little house< with its disco style bassline and the conga driven beat hints at the fruitful marriage of latin, soul and dance music in the melting pot of 70s new york. muy rico!!

the debut album from duesseldorfs musiccargo links germanys experimental musical legacy from the last several decades to todays vibrant, eclectic dancefloors: in widescreen, technicolour vision. this is an album that makes joyful use of germanys musical heritage. italian afro/cosmic pioneer beppe loda has called musiccargo >die neue neu!<(the new neu!). whether you call it krautrock, kosmiche muzik, or techno, you will literally hear echoes of all those legendary side-projects and jam sessions of the 70s and 80s. limited 200 copies.

lyrical wit is in abundance, magnified by russell maels soaring falsetto gymnastics. failure with the opposite sex is a recurring topic, from the adolescent fumblings of amateur hour to the resignation of falling in love with myself again. its easy to see why the teenage morrissey was a dedicated fan. the track that really grabbed the publics attention was this town aint big enough for both of us, a classic stomper with a gravity defying melody. 1974s kimono my house is the sound of sparks firing on all four cylinders, providing one of the most curious and comical albums of the 70s. freddie mercury wasnt the only operatic rocker on the block in the mid 70s. the genre was pretty much taken to its logical conclusion by ron and russell mael, the decidedly odd couple who formed the nucleus of sparks. dropping references to immanuel kant and yehudi menuhin, these boys werent your average dumb rock band. kimono my house was their third album, recorded after the brothers had relocated from la to london (where tolerance of tongue in cheek pomp pop was obviously much higher).

late 70s disco classic !!! last copies!!

a killer clubby groove from steve marshall û the kind that reminds us of the best indie singles from the late 70s disco years! steve plays alto sax here over a strutting, high stepping rhythm thats got plenty of warm touches û really glowing with a sense of soul thats great, and touched by some female chorus vocals that are very much in a philly mode! the disco mix is great û even more upbeat and extended than the 45 groove. in the country is a great bit of club jazz û smooth and sweet, but still with a snakey flute line in the middle û almost like some lost bobbi humphrey track from her epic years. do what you will is another chorus vocal number û and you are the world features some laidback mellow flute.

london s idjut boys (dan tyler & conrad mcconnell) and rune lindbaek of oslo are meanderthals. as longtime friends and fans of each other’s music they have discussed the idea of working together in a musical context for years and in 2008, they finally began to make those ideas a reality. throughout the year they traveled back and forth between oslo and london to create their debut album, desire lines. the album is due the 11th of may. but before that, this 12&#8243,,, taster of the andromeda (album track) as well as a idjut boys remix) a meanderthal is a theory by matthew tiessen about a human that is always in the way of others. whether it be the person on the wrong side of the escalator, the person walking slowly, the person bicycling on the pavement, it is essentially the person that stops the flow of urban daily life. on the contrary, lindbaek, tyler and mcconnell s definition does not see this person as a threat, but as a person that is completely in his own world – a slacker, musically on his own. this could also be a good description of lindbaek and the two idjut boys. meanderthals serves mellow balearic disco. a warm and dreamy blend of dub, folk, prog, kraut, psychedelia and 70s west-coast combined to invent an organic, slanted, and proggy feel. recorded live, the album features contributions from good friends, including pete z (dj harvey) on keyboards, des morgan (yamwho?) on drums and percussion, malcolm jospeh (grace jones) on bass, per martinsen (aka mental overdrive) on percussion and raj gupta (laj & quakerman) as sound engineer

superhuit presents the 3rd teo boogymann moritz album. eight funky & soul house tracks produced by teo boogymann moritz. this album, thick black theory is a shoot to 60s & 70s soul music and its political engagement forgotten today.

pressed on a limited amount of copies, >day two< is the second release from these days records. featuring tracks from argy & the martinez brothers and dj duke, this ep is a tribute to the new york disco movement of the 70s and 80s. this bold and soulful package rounds up with a trademark dubbed out remix from the widely respected beat pharmacy. when placed together the records of the trilogy series will complete a puzzle revealing a connective artwork across the three sleeves

miss kittin & the hacker are right back in action with the first commercially available single from their long awaited (and excellent) second album entitled, suitably enough, >two<. this 12inch comes with a remix by french newcomer maxime dangles. 1000 dreams reflects just one style on an album crammed full of ideas, songs, sounds, influences, hues and textures.first up is >1000 dreams (maxime dangles remix)<. maxime is a (comparatively) fresh-faced newcomer from valence in france, who previously has had some remarkable releases on labels such as colognes kompakt extra (speicher) and scandium records. he strips down the original and imbues it with a thumping melodic club vibe, utilising kittins vocal to devastating effect. nice stuff. very. 1000 dreams<. miss kittin and the hacker sprinkle space dust on a song that sounds like it has been germinated in a mid 70s discotheque, tended with loving care during the 80s and revealed to the world in 2009. a dreamy collision of influences, classic and new. 1000 dreams (instrumental). pretty much self-explanatory, this one. enjoy

nice price deal !!! nice price deal !!! pls welcome this new funky chocolate offshot. dedicated to great obscure yet uncompromissing yet essential boogiebeat from the 70s and the 80s. this 3rd sellection comes from the likes of dj funky chocolate.

reissue of album from 1975/a satisfying dramatics collection that includes their revised, campy version of me and mrs. jones, which had remained a staple of their live shows. astrology was riding high in the mid 70s, and (i m going by) the stars in your eyes provided fodder for astrological discussions as the guys poo poohed the differences in personality traits associated with the signs. a good balance of fast and slow tunes helps make this album a winner. good things dont come easy and never let you go are two frantic dancers that chug along faster than a speeding locomotive, while trying to get over losing you succeeds in treating losing your lover in a positive, uplifting way. the guys must have been loaded with material to keep this one off a 45. likewise for the aching, painful i cried all the way home, one of tony hesters best compositions, and easily the best ballad on the album.

second release for the april77 record label... our sound is fast and tough. we dig the clash, buzzcocks, the jam and all that mid 70s early punk stuff. the list could go on and on (lenny pops, singer of the red hearts.). the red hearts are a household name in the los angeles indie rock and punk scene. they are lead by lenny pops, who formed the band in 2004 after having played in the brian jonestown massacre. the guys have shared the stage with cult icons such as silver apples, the avengers, as well as playing with many of todays top bands including black lips and lords of altamont.

new 3 track re edit ep from community service. this time with tracks from around the globe. i gotta is a caribbean disco cut without the steel drums but with fela kuti style guitar. walken is a 70s disco rock cut from the land down under and gotse is an eastern bloc midtempo synth chugger.

vinyl edition in gatefold sleeve! 70s/80s inspired old school heavy metal produced by nicke andersson (the hellacopters, the solution, death breath). endlich ist die vinyl version des hervorragenden metal albums bite the bullet als gatefold lp erh?tlich. ein mu?f? alle true-metal fans der ersten stunde!

a brilliant follow up to the critically acclaimed auto beam ep released on the respected scottish label mighty robot recordings. posable flotsam is a gloriously floor friendly ep. both complex and emotive, and suffused with english electrics characteristic micro produced beats and textures, the three tracks shimmer with addictive harmonies and a solid dose of electronic funk. like his previous release, the influences and aesthetics of 70s sci fi soundtracks pervade throughout, effortlessly finessed and updated for modern production and dancefloor sensibilities.